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Category Archives: Pilgrimage

Pilgrimage to Ireland, Part 3: North Tipperary, Clonmacnoise &

10 Tuesday Jun 2014

Posted by Janet Maher in Clonmacnoise, Ireland Pilgrimage, Mahers, Meaghers, Pilgrimage, Uncategorized

≈ 13 Comments

Tags

Ancient Irish Art & Artifacts, Early Irish History, Irish Catholic History, Irish Midland Ancestry

 

©2014 Janet Maher, View from Margaret & Alfie's

©2014 Janet Maher, View from Margaret & Alfie’s

During the first days before my clothes arrived I learned to drive on the left side of the road and navigate with increasing ease through the country. My second AirBNB hosts proved to be the ideal support system. Margaret O’Farrell and Alfie McCaffrey were very helpful in following up on my lost luggage and with my puzzling through various technology issues—getting my phone to transition properly, figuring out if my throw-away phone from three years ago might work with a new chip, trying in vain for my GPS to kick back in (which it never did) and even helping me arrange visits with people I was trying to meet while my phone was in limbo. After three days I felt that I was leaving new friends. In Lorrha, Northern Tipperary, this couple has been renovating a large, stately home with their own tender loving care. Like so many a place in which good personally-grown food and fascinating, friendly conversation is a staple, Margaret and Alfie’s kitchen is at its heart. (Pay the extra to have dinner with them at night, which became extend visits in our case, lasting until 11:30 or so.)

©2014 Janet Maher, Old Farm, Lorrha, Tipperary

©2014 Janet Maher, Old Farm, Lorrha, Tipperary

Outside, chickens and roosters wandered as they will among the grass, flowers and trees, joined by their two dogs, with additional sound effects from a drove of pigs in the back. Frisky fellows, the pigs sometimes rule the roost, getting out from their pen and requiring hours of tracking and coaxing back to their own digs. From the kitchen porch, which runs the entire width of the house, it is possible to see the *Devil’s Bit section of the Slieve Bloom Mountains—the landmark for things Maher/Meagher. We had the most enjoyable breakfast looking in its direction on my last day, shared with a friend of Margaret and Alfie who had volunteered to help repair the woodshed roof. Pure bliss to eat outside amid so much beauty and such excellent company!

While navigating the way back and forth to their home in the woods (follow the signs for Birr and Portunma), I was able to venture north into Offaly County and into and around Roscrea, my primary destination on the first part of this Maher-related journey. Alfie had recommended also seeing Birr Castle, with its impressive Science Center, including a 72-inch long reflecting telescope built in 1845, and its note-worthy gardens. I came into Birr too late on the day I was venturing in those parts to do more than a drive-by, so this is now on my list for a hoped-for Next Time. At the end of my journey the following week I learned that the castle, owned by the Earls of Rosse, had once been owned by Meaghers. (More research needs to go into verifying that.)

* The Small Gap of Ely, in the parish of Barnane-Ely was written about by Joseph Casimir O’Meagher in 1890. (The O’Carrolls ruled over Ely, with close ties to the O’Meaghers of neighboring Ikerrin Barony.) He explained the nickname for the dip in the mountains with the following tale: “The Devil, driven to frenzy by his want of success among the inhabitants of Ikerrin, took a bit of their mountain in revenge, but finding it too heavy was obliged to drop it in the ‘Golden Vale,’ where it became the Rock of Cashel, afterwards famous as the residence of the Kings of Munster, and the site of one of the finest cathedrals in the west of Europe. The rock would about fill the gap in the mountain. Another story is that he dropped the bit in Queen’s County, and that the Rock of DunaMase was thus formed.” (Some Historical Notices of the O’Meaghers of Ikerrin, pg. 127.) (That there is a large cross at the top of this mountain was a surprising parallel, I thought, to that of the locally famous one in my hometown in Connecticut, of the same vintage, recently restored to great success and celebration. Had I more time I would have taken a hike to the top of the Devil’s Bit—#2 on my Next Time list.)

©2014 Janet Maher, Alfie , feeding his rooks

©2014 Janet Maher, Alfie, feeding his rooks

Another place that was closed during my visit, but seems worth a tour if staying so nearby was Redwood Castle, especially for those with Egan or Kennedy roots. (With that in mind, I include here an image of a place I passed on the way out of Limerick. For those with Killduff roots, here is a photo of a former Killduff Castle, now on the grounds of  St. Anthony’s Nursing Home, Pallasgreen, Limerick.)

©2014 Janet Maher, Killduff Castle, Limerick

©2014 Janet Maher, Killduff Castle, Limerick

Clonmacnoise (Cluain Mhic Nóis) was part of my reason for staying in North Tipperary, as we had not ventured into that area on my last trip to Ireland with my husband.  I wanted to see the place that had been mentioned so often in my studies about Ireland’s ancient history. This settlement, which dates to just before the death of its mid-6th century founder, St. Ciarán, grew to be the most desirable conquest for invaders over the centuries. Wealthy monasteries throughout Ireland were targets for their valuable ceremonial objects, and Clonmacnoise was also known as the primary site of achievements in literary and artistic high craft production during the centuries of religious rivalry in the country and in relation to Rome. Its location on a high ridge overlooking the Shannon River made it a major intersection of trade and travel.

There had been distinct roles with which Gaelic families were associated. Those that included members of high-ranking religious status had their own ecclesiastical settlements, centered upon a family church around which an extended community worked and lived. The once vast settlement of Clonmacoise contained not only a cathedral and a round tower, but a nuns’ church, and ones associated with St. Ciarán and the surnames Kelly, McLaughlin, Dowling, McLaffey, Connor, and Finghin. There are also remains of several other kinds of buildings, a castle, a sacred well, four high crosses, and other many other artifacts, including a section of an ogham stone and more than 600 portions of ancient grave slabs.

©2014 Janet Maher, Clonmacnoise Cross

©2014 Janet Maher, Clonmacnoise Cross, replica

Three of the high crosses have been removed for their protection from their original location to an on-site museum. Replica ones have been in their places to weather outside since 1992-93. Portions of three additional high crosses from the site are preserved in the National Museum of Ireland, Dublin, along with such masterful art objects as the Crozier of the Abbots and the Shrine of the Stowe Missal. The Cross of the Scriptures (replica shown here) is considered to be one of the best of Ireland’s historic crosses of this extensively decorated kind. It honors the King of Meath and King of Tara, thus High King of Ireland (879 to 916), Flann Sinna mac Maelshechnaill. At the turn of the 14th century the Gaelic clans regained control of Clonmacnoise from the Anglo-Normans, and power shifted to the MacCoghlans until the 17th century—a time of devastation in Ireland as the formerly Catholic England and Ireland were re-envisioned by King Henry VIII and Oliver Cromwell.

On the day I visited Clonmacnoise I was met with a powerful silence and stillness. Although there were far more people wandering the site with me than I expected, we all seemed to be held in a trancelike quiet as we individually absorbed an awe-full sense of the former importance and immensity of this place, now a relic of itself. Ireland’s Office of Public Works has done an exceptional job in stabilizing this and many other irreplaceable sites, touchstones to the country’s stature and nobility in the ancient world.

©2014 Janet Maher, Clonmacnoise

©2014 Janet Maher, Clonmacnoise Ruins

 

©2014 Janet Maher / Sinéad Ni Mheachair

All Rights Reserved

Pilgrimage to Ireland, Part 2: Limerick, Travelers &

04 Wednesday Jun 2014

Posted by Janet Maher in Ireland, Pilgrimage, Thoughts

≈ 8 Comments

©2014 Janet Maher, Limerick Mural

©2014 Janet Maher, Limerick Mural

As I pick back up most of the rest of my life, I’m trying very hard to hold onto the memory of these last two weeks. While the Baltimore sun glared down on me yesterday I found it especially pleasant to recall being wet and even a bit chilly at times, needing an additional layer or two. With the loss of spring, Baltimore’s weather quickly becomes the kind that my mother used to say “takes the starch out of you.” Yesterday I willed myself to remember, instead, my feet sloshing within my sneakers, pants glued to my legs as I plunged into the high grasses of a graveyard coated with the remains of the previous downpour as Jane and I looked for a particular stone one afternoon. Mind over matter worked like a charm.

When driving along quiet roads in Ireland one nods or raises one’s hand in greeting, actively looking into the eyes of another. In Ireland people also talk about the weather. A greeting and mutual acknowledgement of a beautiful day is common, or comments about yesterday’s beautiful day as we mutually anticipate the current weather to change. And change it does, constantly, which accounts for perfect weather in my book, including the rain. I love the description of misty Irish days as “soft,” and I love the cloud-filled skies both before and after the rainfalls, one set made up of velvety grays, another set an endless array of postcard-worthy compositions. I have been waking these past few mornings thinking I’m still somewhere in Ireland. I welcome this sensation for as long as it takes for my soul to completely make its own journey back.

©2014 Janet Maher, Cashel Tree

©2014 Janet Maher, Cashel Tree

On my first afternoon and night in Ireland I came upon some contrasts—other realizations beyond the island’s contemporary and ancient beauty. The economy is indeed in dire condition, as I’d known from the global news. But several times throughout my trip I heard the statement voiced, “There is no money in Ireland.” When I shopped at Penny’s that first afternoon, trying to find something to put on other than what I’d been wearing for three days in transit, the place was packed with women and girls shopping. The amount of activity was surprising. There seemed to be more people inside that store than had been on the sidewalks. Were the more expensive clothing stores as well-populated?

After I got back to the place where I was staying, showered, changed and re-emerged, considering an attempt to find someplace to eat, I encountered even less, and different, outside activity. I wandered around the area, passing a small group of twenty-somethings drinking beer on a church’s steps, one woman’s face covered in bruises, then headed across a bridge into a neighborhood. When it turned out that the likely eating establishments were closed, I asked an elderly woman who was walking with packages from recent shopping if she could tell me where I might find a cafe nearby. She seemed startled that I addressed her and hurriedly told me there was no such place there, to walk in the other direction, and proceeded to get herself home. Along the river toward the next bridge I passed another small group of young people who seemed oddly threatening. Soon I was near Penny’s again. Turning to walk up the block I almost came face to face with three young women prancing in my direction in skimpy clothes and make-up so overdone that they looked to be in costume. Just beyond was a group of about twenty young people, mostly male, hanging out aimlessly.

Soon there seemed to be utter desolation of a kind I had only experienced in American inner cities. The streets twisted and turned with only an occasional figure darting quickly into a doorway, a few pairs of men talking to each other outside corner bars, and a couple or two wandering as I was, with deer-in-the-headlights expressions on their faces, and maybe one on mine. There was no grime or litter about, however, only an absence of activity and a feeling that the area had been abandoned. Perhaps this was the kind of neighborhood about which Frank McCourt wrote and I hadn’t wanted to believe existed. Eventually someone walked in my direction who looked kind, and I asked him to direct me to my landmark, which proved to be not too far away. I decided to call that day’s adventure to an end and simply headed back to my room. It would only be upon my last night in Ireland that I learned of the bustling center of Limerick, with many a business that would have appealed to me, only a few blocks further had I walked in the opposite direction.

©2014 Janet Maher, Lookind Down #1

©2014 Janet Maher, Looking Down #1

The feeling of emptiness occurred in other ways afterwards, though, thankfully, without including a sense of potential danger. It seems that throughout the midlands beautiful towns are closing up shop as nearby malls have attracted business away from the small locally owned ones, and the population itself moves to larger cities or other countries. In Shannonbridge, County Offaly, I wondered if I had arrived in the town too early in the day. Where was everyone? Besides the few cars that were parked or had passed me on the road I only saw two men out repairing a wall. They assured me that the tourist office I stopped at would open in a couple of minutes if I waited. Did it actually ever open that day?

Having not yet gotten the hang of the routine of recharging my camera and phone batteries each night, downloading pictures and thus making ready for my tomorrows, I had arrived in Shannonbridge with a full camera and had left my phone (which takes great snapshots) back in the room charging. I’d hoped to find good postcard versions of the beauty I was seeing right then, but had to suffice with the still images I captured in my mind. This lovely town with its own view of the River Shannon drifting past, flowing under the bridge for which the town was named, was the homeland of my great aunt’s husband and his family, the Martin’s. It was the first of many small towns that I visited in order to locate my research in a physical form that I could feel directly and observe at first hand, imagining my ancestors in place.

The landscape of the Irish countryside would once have been full of communities and teeming with people. The Great Hunger and several other famines and epidemics denuded huge swathes of territory over the centuries, but the global economy throughout more recent decades has continued to take a severe toll. Dr. Irial Glynn, a Marie Curie fellow at the Institute for History in Leiden University, explained much about the current Irish emigration problem in an online podcast he made for the History Hub. He explained that more than 400,000 Irish have emigrated since the Famine and that now the country is losing its young at a disturbing rate—particularly its male population, who have difficulty finding work in their own country. Unemployment is over fourteen percent today, up from six per cent in 2006. Currently about forty per cent of Ireland’s 15 to 19 year olds are out of work, as are more than twenty-five per cent of her 20 to 25 year olds and sixteen per cent of her 25 to 34 year olds. Immigration was just over 13,000 in 2007, but had risen to more than 40,000 in 2011.

Many Irish immigrate to Great Britain and send money back to their families, reminiscent of the nineteenth century era of immigration into the United States and other countries. Dr. Glynn explained that after World War II, almost all countries had “boom” times, except for Germany and Ireland, in which there was never an industrial revolution. Irish workers could find seasonal employment and many settled in the greater London region. Today, however, when there is a global economic slump, it is difficult to find work anywhere. I heard upon two separate occasions during my visit about young Irish men going, or considering going, to work in the mines in New Zealand or Australia. As in centuries past, here once again young Irish men are taking on the most difficult manual labor opportunities to afford themselves and their families a better future.  One women I met revealed that of her several children, some of them have emigrated to the United States, Canada or Australia. As Dr. Glynn quoted, “in times of crisis Ireland tends to spit out its young.”

Aideen Sheehan, wrote in December for Independent.ie that almost 250 people per day leave Ireland in search of a more stabile financial future. United States immigration data suggested to Sheehan “a brain drain of talent as they include 1,171 Irish people with ‘extraordinary abilities or achievements’, as well as 1,259 athletes, artists and entertainers.” In his article was embedded a poignant video of families being reunited at the airport during temporary trips home for Christmas. Meanwhile, as they do in every other country, political parties vie for power and promise that they will fix the many problems. Local elections were being held during my stay, and telephone poles everywhere were covered with posters for political candidates.

©2014 Janet Maher, Horse Heads, Co. Tipperary

©2014 Janet Maher, Horse Heads, Co. Tipperary

In trying to understand what I experienced during my first night in Ireland, I was told that the young women I saw might have been Travelers, a minority culture with early Irish ancestry. I recalled the biography of Nan Donohoe, published by Sharon Gmelch in 1986, about an Irish traveling woman who lived this entirely different kind of life in our own times. Gmelch is a professor of Cultural Anthropology and other topics at the University of San Francisco. My memory of her book was of awe for the hard life that the Traveler population of Ireland survived in their own insular universe. Working for cash doing hand labor included “tinkering” for the men, the repairing and producing of metal products and other types of small commodities for sale. The tightly knit families would move from place to place continually through the seasons and when forced to leave by people settled in areas they encroached upon. Having pulled Gmelch’s book down from my library, I intend to reread this, and to seek out her other books about Tinkers and Travelers: Ireland’s Nomads, Irish Life and Traditions, and a new book co-authored with her husband, Irish Travellers: The Unsettled Life, due out in October 2014.

My host at one of my AirBNB locations (a service that I heartily recommend, even given my first night’s experience) explained that Travelers may be found all throughout Ireland, often setting themselves up in places like abandoned railroad bridges. Apparently, they might be able to claim a parcel of land permanently if they successfully remain in place there for ten years. No longer a horse-drawn carriage society, they live in mobile homes and small trailers. Some have acquired a great deal of money and live in mansions. While traveling between towns in Tipperary, I suspected that I may have driven past a Traveler cluster, a cropped portion of the presumed encampment photo included here. Although I had watched the 2007-2008 television series, The Riches, which I stumbled upon on Netflix, I had imagined that the premise of the series was an entire fantasy. I had not been aware that this culture also took root centuries ago in the United States and in other countries, and that there are Traveler settlements in such places as Murphy Village, South Carolina, and White Settlement, Texas. The stories in modern times are far from romantic.

I don’t pretend to understand the complexity of Irish politics, its economy, its immigration situation nor its Travelers. Nor do I profess to even comprehend the complex workings of my own country’s equivalent social and political concerns. Being in another environment in a manner beyond that of a tourist, however, did help to bring new awareness to my own various micro and macro realities. Perhaps there is too much about the global present that unsettles me, leading me continually back to a relatively safe fascination—the searching for links between the dead and the living in undeniably beautiful places to which I have some personal connection. It is upon this aspect of my journey that I will concentrate the rest of my Pilgrimage posts.

©2014 Janet Maher / Sinéad Ni Mheachair

All Rights Reserved

Coming to Ireland!

12 Monday May 2014

Posted by Janet Maher in Connecticut Irish, Early Irish Catholics in Connecticut, Mahers, Meaghers, New Haven Irish Catholic Immigrants, Pilgrimage, Waterbury

≈ 6 Comments

Tags

Early Irish History, Irish Catholic History, Irish in Connecticut, New Haven County Connecticut, Patrick Maher

©2014 Janet Maher, St. Patrick's Church Window, Vox Hiber Hi Ocum

©2014 Janet Maher, St. Patrick’s Church Window, Vox Hiber Hi Ocum

When I speak with my friend, Jane Lyons, owner of the amazing web site, From Ireland, she reminds me what an unbelievable work of fate and luck our meeting is. That I have been studying a particular subset of Irish immigrants into New Haven County, Connecticut, and have found several of the specific places from which they arrived, and that Jane has been studying the same from her end is one phenomenon. That we have become friends, that she flew all the way from Ireland to attend my first book signing, and that I could bring her to the primary cemeteries in Waterbury and Naugatuck and point to the specific graves that link back to her neck of the woods is another. That I will be spending the last part of my huge Irish research trip with her and that we will be scouring together the area that I have honed in on is a true miracle! What were the odds back in 2006 when I was just learning how to do Irish research that I would be, essentially, collaborating across the ocean with the person who set me on my path and showed me the way? Although I am no longer on her massive listserv, Y-IRL, she has been at my home in America, we talk on the phone, and I will be at her home in another week! (Although I thanked them in my book, I thank again the members of Y-IRL who gave me so much welcome advice all those years ago.)

On this trip I am thrilled that I will also be meeting people I feel to be friends that I met “in real time” when my husband and I were in Ireland three years ago. I will also be lucky enough to meet some new friends that I have only conversed with through email. This is truly a dream! While it is a bit unnerving to anticipate driving on the left side and managing my way to and through so many places alone (until I get to Jane’s), I am grateful for my husband’s support in this “obsession” which is clearly not yet over. He’ll hold down the fort—and water my garden—while I proceed upon this once-in-a-lifetime experience. I am eternally lucky on so many fronts!

Last week several of us attended a visit to Waterbury Connecticut’s third Catholic Church — from 1880, St. Patrick’s. I’m including here a photo of a portion of one of its majestic windows, the bottoms of which include The Lorica of St. Patrick all the way around in Gaelic. This image illustrates Patrick’s dream in which an angel showed him a scroll upon which was written “The voice of the Irish call you.”

As the voice of the Irish is calling me loud and clear, I wish you all well in the big spirit of it all!

©2014 Janet Maher / Sinéad Ni Mheachair

All Rights Reserved

From the Old Sod to the Naugatuck Valley – Janet Maher Exhibition

03 Sunday Mar 2013

Posted by Janet Maher in Book Signing, Early Irish Catholics in Connecticut, Exhibition, Pilgrimage

≈ 8 Comments

Tags

American Mahers, Ancient Ireland, Baltimore, Connecticut, Creative Alliance, Early Irish History, Irish Catholic History, Irish in Connecticut, Irish in the Civil War, Meagher, New Haven County Connecticut

Thank you to all who came out for the book signing/opening Friday night! I was so happy about the turnout and for the experience of working with Ade Tugbiyele, who so generously did the hanging of the work. Please spread the word that the show will be up and the book available at the Creative Alliance, Baltimore, through March 23. Titles are listed below; pigment prints (2013) on Hahnamuhle Photo Rag Matte paper, R1800 Epson printer, sizes are of images. Canvas and wood pieces priced separately. Our governor and his Irish band will be playing there next weekend and we’ll be back for that. Happy Saint Patrick’s Day to all!

Wall #1, Book and Selected Ireland Photographs

Wall #1, Book and Selected Ireland Photographs

  • Saint Brigid’s Tree, Kildare, 9 1/8″ x 12 1/8″
  • Ballinakill Cemetery, Laois, 7 7/8″ x 9 1/4″
  • Saint Patrick, Maynooth, 11 3/8″ x 8 5/8″
  • Rebel Monument, Shronell Cemetery, Tipperary, 13″ x 10 1/2″
  • Shronell Cemetery, Tipperary, 9 1/4″ x 13″
  • Tullaroan Cemetery, Kilkenny, 8 11/16″ x 11 1/8″
  • Glenadlough Cemetery, Wicklow, 8 5/8″ x 10 15/16″
  • Our Lady of 1798, Monasterevin, 13 3/8″ x 8 9/16″
  • Dunamase Castle Ruin, Laois, 8 15/16″ x 11 7/8″
  • Black Abbey, Kilkenny, 9 1/16″ x 11 5/8″
  • Donaghmore Workhouse, Laois, 9 7/8″ x 15 1/2″
  • Wall of Legends, Tipperary, 8 5/8″ x 8 11/16″
  • McCarthy’s Grave, Saint Patrick Cemetery, Thurles, Tipperary, 9 1/4″ x 11 11/16″
Wall #2 People Photos

Wall #2 People Photos

  • Mystery Child, 8 14/16″ x 8 3/4″
  • Alice Whalen and Friends, 10 1/8″ x 11 3/16″
  • Frank’s Hack, 5 7/ 16″ x 16 1/2″
  • Dennis Whalen and Friends, 10″ x 16 1/16″
  • Woolen Mill, Naugatuck, ca. 1870, 10 1/8″ x 15 7/8″
  • Three Women, 8 1/2″ x 10 7/16″
  • Katherine and Eliza Maher, ca. 1860, 11″ x 8″
  • Mystery Relatives, 13″ x 9 1/4″
  • Joseph Martin and Grandfathers, 7 1/8″ x 12 3/8″
  • Comrades, 8 1/4″ x 11 5/8″
  • Cousins, 8 1/4″ x 11 9/16″
  • Eliza, 9 7/16″ x 12 3/8″
  • The Boys, Naugatuck, 9 1/4″ x 13 3/8″
  • Fuel Ledger, 9″ x 12 15/16″
  • Actor, 8 13/16″ x 15 7/16″
Mixed media collage paintings; pigment prints w/colored pencil and/or paint on wood or canvas, painted edges, sealed with gel medium

Mixed media collage paintings; pigment prints w/colored pencil and/or paint on wood or canvas, painted edges, sealed with gel medium

  • Weavers #2, 2011, 8″ diameter
  • Cousins, 2009, 8″ diameter
  • Irregulars #6, 2009, 8″ diameter
  • Gem Theatre, 2010, 10″ diameter
  • Debating Team, 2009, 8″ diameter
  • Irregulars #2, 2009, 12″ x 9″ oval
  • Celebration, 2009, 10″ diameter
  • Imagined Ancestors #5, 2011, 8″ diameter
  • Lynch’s Farm #2, 2010, 8″ diameter
  • Weavers, 2010, 8″ diameter
Second half of wall #3, Connecticut

Second half of wall #3, Connecticut

  • Fahy Grave, Saint Francis Cemetery, Naugatuck, 11 3/4″ x 8 11/16″
  • Saint Francis Cemetery, Naugatuck, Section H, 8 3/16″ x 12 3/8″
  • Veterans’ Monument, Saint Bernard Cemetery, New Haven, 10 1/4″ x 11 1/8″
  • Irish Priests’ Graves, Saint Mary’s Cemetery, Ansonia, 13″ x 8 15/16″
  • Visitation, 10 3/4″ x 10 1/4″
  • Harp, Tombstone Detail, Saint Bernard Cemetery, New Haven, 9 1/16″ x 10″
  • Grand Army of the Republic Medalion, Saint Francis Cemetery, Naugatuck, 10 1/8″ x 8 5/8″
  • Bronson Stones, Library Park Wall, Waterbury, 7 3/4″ x 11 3/4″
Ade and me at opening, Creative Alliance, Baltimore, MD

Ade and me at opening, Creative Alliance, Baltimore, MD

©2013 Janet Maher / Sinéad Ní Mheachair

All Rights Reserved

From the Old Sod to the Naugatuck Valley: Early Irish Catholics In New Haven County, Connecticut

11 Monday Jun 2012

Posted by Janet Maher in Connecticut Irish, History, Kilkenny Mahers, New Haven Irish Catholic Immigrants, Origins, Pilgrimage, Thoughts

≈ 14 Comments

Tags

American Mahers, Ancient Ireland, Brennan, Early Irish History, Irish Catholic History, Irish in Connecticut, Irish in the Civil War, Irish Meaghers, Irish pilgrimage, Milesian Genealogy, Naugatuck Connecticut, New Haven County Mahers, Patrick Maher, Saint Bernard Cemetery, Tombstone Transcriptions

©2012 Janet Maher, From the Old Sod to the Naugatuck Valley, books at home; image: Katherine Maher Martin and Eliza Maher, ca 1850s

©2012 Janet Maher, From the Old Sod to the Naugatuck Valley, books at home; image: Katherine Maher Martin and Eliza Maher, ca 1850s

First thing I did when I got the proof was to take pictures of it, then bring it into my department and show it to my colleagues, who then immediately got to hold it. Not exactly like having a baby, but pretty exciting, nonetheless.

The first mention in the press is out, on the Naugatuck Patch! The book is in the process of being offered on the Amazon website, and will also be available through Amazon.uk.

Hope to see some of you on June 21. Huge news is that Jane Lyons is flying all the way over from Ireland to be there! We’ll be going to the Irish Festival in New Haven that weekend too!

Wishing you all well,

Janet

©2012 Janet Maher/Sinéad Ní Mheachair

All Rights Reserved

Happy Saint Patrick’s Day!

17 Saturday Mar 2012

Posted by Janet Maher in Connecticut Irish, History, Kilkenny Mahers, New Haven Irish Catholic Immigrants, Origins, Pilgrimage

≈ 4 Comments

Tags

American Mahers, Ancient Ireland, Ancient Irish Art & Artifacts, Catholicism, Connecticut, Ireland, Irish diaspora, Naugatuck Connecticut, Tombstone Transcriptions

Coming Soon!

Beginning from an interest in her own family’s history, with From the Old Sod to the Naugatuck Valley Janet Maher shares a deeply textured journey through a fascinating corner of the Irish Catholic diaspora. She explores the history of Ireland through the perspective of Catholicism, bridging it to the origins of Catholicism in Connecticut generally, then to several Irish families whose personal stories extend to the present.

Mapping and thoroughly transcribing the oldest Catholic cemetery in Naugatuck, Saint Francis, Maher has made connections between generations of families and friends. The book includes selected marriage, baptism and death records throughout the nineteenth century and excerpts from rare letters between Irish immigrants and individuals still in Ireland. It is replete with photographs from Ireland and Connecticut, and restored personal photographs selected from families’ collections, including her own, from materials safeguarded in scrapbooks and albums for years. In many ways Maher has made the people whose graves she encountered in cemeteries come alive again.

Creatively overcoming the limited existence of early genealogical records, From the Old Sod to the Naugatuck Valley draws a colorful, intimate multi-layered vision of a generation of immigrants and their descendants who shaped the character of southern Connecticut. Its fusion with family histories brings to the foreground a captivating thread in the tapestry called America.

Janet Maher has been a professional artist for more than thirty years. Her drawings, prints, artist books, mixed media works and collaborative projects have been exhibited widely and are in numerous private and public collections. A native of Connecticut, she also lived and worked in New Mexico before settling in Baltimore, where she is an Associate Professor of Visual Arts at Loyola University Maryland. This is her first scholarly book.

©2011 Janet Maher/Sinéad Ní Mheachair

All Rights Reserved

Just A Moment In Time

24 Tuesday Jan 2012

Posted by Janet Maher in Pilgrimage, Thoughts

≈ 4 Comments

Tags

Looking for Ancestors in Ireland

O'Neil's Pub, Dublin, Ireland, 2011

O'Neil's Pub, Dublin, Ireland, 2011

Since I had been working from home on my book during the break between semesters, I did not hear a December message until school started up again last week. I had the most wonderful surprise in a call from someone my husband and I met in Ireland this summer. Unfortunately, he did not leave his name or number, so I could not call back. So as not to startle me he prefaced his message with, “It was just a moment in time, no panicking…,” then said that he’d just found my card and it made him laugh, so he thought he’d give a ring and see how I had made out trying to find my ancestors, my Mahers, and the whole lot of them that I was looking for. He said the name of a pub, but I couldn’t place it. “It was just a moment in time that no one will ever know about,” he said, and I thought about the moments and conversations in the several pubs we stopped in throughout our stay. Now I’ll try to find the names of them and drop a note to those I can track down. Of all things not to have jotted down, the names of the pubs!

Now I guess I know where Chris’ title came from for her blog. “It’s just a moment in time” must be a common Irish saying. I have been thinking about the phrase, so Zen, so mindful, the idea of all the noticed and savored moments that make up the best parts of the big picture of our lives. This phone message was such a gift for the new year, a beautiful touchstone of kind and good energy in the accent I’ve come to love so much. It’s saved to listen to at any other moment that I may need a smile of my own.

©2012 Janet Maher/Sinéad Ní Mheachair

All Rights Reserved

Pilgrimage to the Midlands, Ireland.3 – Saint Brigid’s Well

16 Tuesday Aug 2011

Posted by Janet Maher in History, Pilgrimage

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Brigid of Kildare, County Kildare, Religion and Spirituality

Sacred Tree, Saint Brigid's Well, Kildare, July 2011

Sacred Tree, Saint Brigid's Well, Kildare, July 2011

Altar, Saint Brigid's Well, Kildare

Altar, Saint Brigid's Well, Kildare, July 2011

Saint Brigid, friend of Saint Patrick and founder of the convent Cill-Dara after which County Kildare was named, died in 525 A.D. Historically she has been a Christian deity to call upon at times of childbirth, for any kind of healing, for students, and for inspiration in all the arts, including poetry and metalworking. In Ireland and Scotland she is called “Mary of the Gaels.” Her feast day, Imbolc, is celebrated in her month, February (1st or 2nd), halfway between winter and spring (America’s “Ground Hog Day”). It is tradition to pick reeds with which to make a new Saint Brigid’s Cross to hang by one’s door as protection for the following year.

In her pre-Christian aspect, she was a “triple muse” archetype, a virgin/mother/crone Goddess, called Brigida/Brigid/Brigit/Bride. In Scotland, where she was also known as “Bride of the White Hills,” her symbol was a white swan.

Whether one ascribes to pagan and/or Christian lore about her, she is associated with sacred wells that link male (sun) and female (water) atmospheres above and below the earth. At her shrine outside Kildare City, near the Black Abbey, a modern statue depicts her as a young girl holding a flame in one hand, a staff in another, and wearing a crucifix around her neck. The well is in two sections, where it comes above ground at her form. This small section of land is kept pristine and is continually visited, with flowers and other mementos left behind as offerings to her spirit. A tree at the back of the shrine’s enclosure has also been made sacred in the ancient Gaelic tradition. Bits of cloth, string and other offerings have been attached to it.

In thanks for healing, in honor of my great grandmother Bridget Donovan Maher, and with other private wishes I attached fabric of my own knotted several times around one of the branches, a prayer with each knot.

References:

Bogdanovich, Peter, Editor, A Year and A Day Engagement Calendar 1993, A Desk Diary Adapted from the works of Robert Graves and Other Historical Sources, Woodstock, NY: The Overlook Press, 1993.

Pennick, Nigel, Celtic Sacred Landscapes, New York, NY: Thames & Hudson, Inc., 1996

©2011 Sinéad Ní Mheachair (Janet Maher)

All Rights Reserved

Pilgrimage to the Midlands, Ireland.2 – Monasterevin

13 Saturday Aug 2011

Posted by Janet Maher in History, Pilgrimage

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1798, County Kildare, Gaelic Ireland

Monasterevin Monument

Monasterevin Monument, ©2011 Janet Maher 

The town of Monasterevin was named for the monastery that St. Abban founded in County Kildare, close to the confines of the Pale (the English-controlled early Dublin area) which made it vulnerable to attack. In 908 Cormac Mac Culinan, King of Munster was defeated trying to defend it. In the 7th century monks from Munster were brought there by St. Emin/Evin, and a monastery was founded again in the 12th century by The King of Offaly. Its abbot was a member of the Irish parliament.

The town was one of the sites of battles during the 1798 uprisings. This beautiful statue commemorates the tragic hanging of Father Edward Prendergast for the crime of celebrating Catholic mass.

Somber Lady Liberty, one hand to her heart, the other resting atop the symbol of Gaelic Ireland, the harp, stands in front of an ornately carved Celtic High Cross. A trusty and loyal dog/mascot at her side looks intently up at her. On each side of the cross the words “Unity,” “Courage,” and “Freedom” are carved into a sash that flows gently ribbon-like around an upright staff.

The monument is inscribed: (Front) “Erected By The Nationalists Of Monasterevan And Surrounding Districts. To The Memory Of Fr. Prendergast Who Was Hanged Here in 1798 For The Performance Of His Clerical Duties Towards The Insurgents. And In Memory Of The Heros Who Fought And Fell For Freedom In That Sad But Glorious Period.”  (Side)  “All All Are Gone. But Still Lives On The Fame Of Those Who Died. But True Men Like You Men Remember Them With Pride.”  (Side) “Far Dearer The Grave Or The Prison Illumed By One Patriot Name Than The Trophies Of All Who Have Risen On Liberty’s Ruin To Fame.”

Reference:

Lewis, Samuel, Topographical Dictionary of Ireland (1st edition, 1837, 3 Vols), Archive CD Books, Ireland, Unit 1, Trinity Enterprise Center, Pearse Street, Dublin 2, Ireland.

©2011 Sinéad Ní Mheachair (Janet Maher)

All Rights Reserved

Pilgrimage to the Midlands, Ireland.1

02 Tuesday Aug 2011

Posted by Janet Maher in Pilgrimage

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Irish pilgrimage

Old Killcullen Cross

Cross at Old Killcullen Cemetery, July 2011

Time seems to move quickly these days and catastrophic events are happening to those I care about. People have been dying right and left throughout the past decade, something perhaps to be expected at my age, but not welcome in any case. Early this summer it suddenly struck me not to wait any longer for our second trip to Ireland, the first of which had occurred before I began to research so deeply. I wanted very much to meet Jane Lyons, whose listserve and web site (From Ireland) has been invaluable to me, both informationally and in developing friendships. I felt as if Jane and I were somehow kindred spirits, except that we hadn’t yet met in “real time.”

I also wanted to meet, if possible, the author John Maher, whose book, The Luck Penny, I had enjoyed so much. His tale of a character traveling between Laois and Kilkenny to attend a funeral helped to clarify for me how close in proximity the towns I was researching in Ireland were — comparable to those in the Naugatuck Valley and New Haven County, where the first immigrant families I have studied settled.

I hoped to meet one of the first people I had communicated with in 2006 when, in fear and trepidation I began to share information online with complete strangers. Such a delicate balance, that, particularly when there is so much to learn before it is possible to actually have answers to the kinds of questions people ask. I can still clearly remember weighing the difficult decision to open the first attachment someone sent to share a photo of his family.

Not only was it possible to meet everyone, but we also met two new people who may be related! Soon it came to feel as if we had long been friends and were simply reuniting, much as it does when we travel to see our extended families in the United States. Three such gatherings of different kinds occurred in three different states within the week after our return from Ireland. While all wonderful in their own rights, they quickly put my Irish pilgrimage behind me.

With almost all other daily obligations fully back on the plate of the present, the difficulty in knowing where to place one’s attention in the hours allotted each day has returned. How to choose between equally imperative priorities? Commitment to this blog may ensure that the thread of Ireland will remain intact and be given regular attention, even when the school year begins. (Artists who choose to teach have two simultaneous, and sometimes competing, careers to juggle. An artist/teacher who also takes on a research project like this may have three–or may need to have her head examined!)

Day 1. 

We arrived in Dublin early in the morning, rented a car and drove into town for a brief stay before launching off to begin my loosely planned series of visits throughout the midlands. There were specific towns I wanted to see and walk within, places where my ancestors might also have traveled or lived for a while. I needed to feel in my body the space of the land I’d read about and about which I had scoured so many physical and microfilm records, looking for clues. This area of Ireland needed to feel as present to me as my childhood neighborhood in Connecticut is, where a memory can flash and linger at will in full frame, a snapshot archived in my mind. I wanted to walk through a town and picture my ancestors across the street ahead of me, as if in translucency, barely imaginable through the cosmic veil that separates us. Certainly I have felt them invisibly leading and guiding me throughout these years of study. Now it seemed time to visit them on their turf.

My husband is a good driver, comfortable behind the wheel, but even he struggled a bit to remember how to drive on the left in busily trafficked Dublin. We went into the National Gallery of Ireland as a logical first place to wander while we got our bearings. Their historic permanent collection, including that of Irish artists, was impressive and it deserved a much longer stay than we gave it that morning.  We had brunch, along with quite a number of people, it seemed, for a Tuesday, in the museum’s comfortable and brightly lit Gallery Restaurant, then high tailed it out of town to the wide open spaces.

Turf in Kildare

Turf in Kildare, July 2011

Recommended Reading:

O’Donohue, John, Anam Cara, A Book of Celtic Wisdom, New York: HarperCollins Publishers, Cliff Street Books, 1997.

©2011 Janet Ní Mheachair (Janet Maher)

All Rights Reserved

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